Anonymous, “Louise (Female Cross Dresser)”, 1845 ca., France/England, cm 9x8 daguerreotype, rare three quarter portrait mounted in a green morroco and gilted case
Jean-Baptiste Sabatier Blot, “Post Mortem Portrait”, 1850 ca., France, cm 20x15, full plate daguerreotype mounted in the original frame, artist's studio label on the verso: “65 Palais National"
Louis Remy Robert, “Marie Antoniette’s Cottage, Parc de Versailles”, 1852 ca., France, cm 35x27, waxed paper negative
Louis Remy Robert, “La Governante Manufacture de Sevres”, 1852 ca., France, cm 28x22, waxed paper negative, published in Raymond Lecuyer's “Histoire de la photographie", Baschet et Cie, Paris 1945
Adolphe Braun, “Bouquet de fleurs”, 1855 ca., France, cm 22x20, albumen print
Adrien Tournachon (Nadar jeune) and Dr. Duchenne de Boulogne, “Étude d'expression”, 1856 ca., France, cm 30x22, albumen print, published in “Méchanisme de la physionomie humaine", Paris 1862
Anonymous, “Untitled”, 1860 ca., United States, cm 11x6, tintype
Anonymous, “Untitled”, 1860 ca., France, cm 15x11, hand-coloured ambrotype
Pierre-Louis Pierson, “Scherzo di Follia (The Countess of Castiglione)”, 1863 ca., France, enlargement printed in 1930 ca. by Braun & Cie, cm 40x30, gelatin silver print, only two known prints, the other MET Collection New York
Anonymous, “Buste sur une colonne en marbre (Musée de Cluny)”, 1864, France, cm 26x18, carbon print
Julia Margaret Cameron, “Kate Keown, Half-length study”, 1864 ca., England, cm 25x21, albumen print, unique in rectangular full image size, provenance Paul F. Walter Collection
Ermé Désiré, “Nu égyptien dans un studio”, 1865 ca., Egypt, cm 22x17, albumen print from the original glass negative
Jean Laurent, “Armour of Christopher Columbus”, 1870 ca., Spain, cm 34x26, albumen print
Henri Oltramare, “Untitled”, 1870 ca., France, cm 16x12, albumen print
Anonymous, “Geisha”, 1870 ca., Japan, cm 22x18, albumen print mounted on the original cardboard
Jean Laurent, “Gorget of the armour of King Philip II”, 1870 ca., Spain, cm 29x25, albumen print mounted on the original cardboard
André-Adolphe-Eugène Disdéri, “Mosaique (French Royal Family)”, 1870 ca., France, cm 9x5 cm, albumen print
Shin'ichi Suzuki I, “Unidentified Samurai in Armour, Yokohama”, 1870 ca., Japan, cm 26x20, albumen print from wet collodion negative, a hand-coloured copy is in the MET Collection New York
Gaudenzio Marconi, “Untitled (Étude de nu féminin)”, 1870 ca., France, cm 13x10, albumen print
Louis Jean-Baptiste Igout, “Untitled”, 1870 ca., France, cm 13x10, albumen print
Gaudenzio Marconi, “Étude de nu: femme assise, de dos”, 1870 ca., France, cm 27x17, albumen print from the original glass negative
Jean Geiser, “Untitled”, 1870 ca., Algeria, cm 21x15, albumen print mounted on the original cardboard
Anonymous, “La Comtesse de Beyren”, 1874, France, cm 16x10, albumen print
Giorgio Sommer, “Psiche”, 1875 ca., Italy, cm 25x20, albumen print
Louis Bonnard, “Étude de nu en studio”, 1875 ca., France, cm 15x11, albumen print from the original glass negative
Louis Jean-Baptiste Igout, “Untitled”, 1875 ca., France, cm 14x10, albumen print
Baron Raimund von Stillfried, “Swordswoman in Fencing Outfit”, 1875 ca., Japan, cm 27x21, hand-coloured albumen print from wet collodion negative, captioned ‘Maestra di Scherma’ on the verso
Charles Scowen, “Cattleya Trianæ”, 1880 ca., Sri Lanka, cm 28x21, gold toned albumen print
Fratelli Alinari, “Ermafrodito, Roma, Museo Nazionale”, 1880 ca., Italy, cm 19x25, albumen print
Anonymous, “Il cratere del Vesuvio”, 1880 ca., Italy, cm 20x25, albumen print
Philip Adolphe Klier, “Burmese Woman with Fan and Cigar”, 1880 ca., Burma, cm 27x21, albumen print
Achille Mauri, “Pompei, Empreinte d’une Femme”, 1880 ca., Italy, cm 20x26, albumen print mounted on the original cardboard
Jean Geiser, “Zhora la mauresque Ouled-Nail”, 1880 ca., Algeria, cm 24x20, albumen print
Anonymous, “Untitled”, 1880 ca., France, cm 32x24, albumen print mounted on the original cardboard
Wilhelm von Gloeden, “Peppino”, 1880 ca., Italy, cm 23x16, albumen print mounted on the original cardboard
Anonymous, “Untitled”, 1880 ca., France, cm 20x29, five albumen prints
Tamamura Kōzaburō, “Oiran”, 1885 ca., Japan, cm 25x20, albumen print
Hermann Heid, “Étude de nu aux rameaux”, 1885 ca., Austria, cm 22x19, albumen print from the original glass negative
Eadweard Muybridge, “Femme à la balle”, 1887, England, cm 48x61, original collotype, published in “The Animal Locomotion", London 1887, plate 306
Neurdein Frères, “Danseuse Javanaise”, 1889, France, cm 29x22, albumen print
Wilhelm von Pluschow, “Untitled”, 1890 ca., Italy, cm 23x17, albumen print mounted on the original cardboard
Anonymous, “L’appareil dans le miroir”, 1890 ca., France, cm 30x24, vintage gelatin silver print
Anonymous, “Untitled”, 1890 ca., France, cm 24x17, albumen print (photomontage), provenance Gérard Lévy Collection
Henri Oltramare, “Untitled”, 1890 ca., France, cm 16x11, albumen print
Vincenzo Galdi, “Untitled”, 1890 ca., Italy, cm 22x16, albumen print
Alfred Ellis, “Kate Cutler”, 1897, England, cm 14x9, albumen print
Edmond Fortier, “Nus orientalistes”, 1898, Senegal, cm 16x11, vintage gelatin silver print
Charles Naudet, “Étude de nu”, 1900 ca., France, cm 24x18, vintage silver bromide print
Anonymous, “Untitled”, 1900 ca., France, cm 14x9, vintage gelatin silver print
Anonymous, “Portrait of a Malagasy woman”, 1900 ca., Madagascar, cm 25x19, citrate print
Wilhelm von Gloeden, “La garconette”, 1903, Italy, cm 21,9x16,9, albumen print from glass negative, another print is in the MET Collection New York
R. Moreau, “The dance of Loïe Fuller”, 1908, France, cm 16x11, charcoal print, annotated on the back
Anonymous, “Tête de Richelieu”, 1910 ca., France, cm 17x12, vintage gelatin silver print
Frank Eugene, “Adam und Eva”, 1910 ca., Germany, cm 29x20, original photogravure on Japan paper, from Camera Work (issue 30, 1910), signed in the lower right
Rudolf Lenhert & Ernst Landrock, “Femme berbère de profil”, 1910 ca., Tunisia, cm 30x40, vintage gelatin silver print
Rudolf Lenhert & Ernst Landrock, “Nu oriental”, 1910 ca., Tunisia, cm 23x17, vintage gelatin silver print
Anonymous, “Untitled”, 1910 ca., France, cm 16x12, vintage gelatin silver print
Baron Adolph De Meyer, “Marchesa Casati”, 1912, France, cm 22x16, photogravure on Japan paper, original Camera Work print (issue 40, October 1912), provenance Howard Greenberg Collection
Ernest Joseph Bellocq, “Untitled (from “Storyville" Series)”, 1912, United States, cm 20x25, gelatin silver print printed by Lee Friedlander in 1970 ca. for “E. J. Bellocq: Storyville Portraits" exhibition held at MoMA
Edward Weston, “Natacha Rambova”, 1916, United States, cm 49x36, vintage platinum-palladium print, signed and dated by artist on the recto, provenance W. M. Hunt Collection
Anonymous, “Untitled (Five-Way Portrait)”, 1917, Italy, cm 8x13, vintage gelatin silver print
Anonymous, “Tank”, 1917, France, cm 18x24, vintage gelatin silver print, provenance Gérard Lévy Collection
Karl Struss, “Nude”, 1919, United States, cm 21x15, vintage gelatin silver print
Willy Hameister, “Das Cabinet des Dr. Caligari by Robert Wiene”, 1919, Germany, cm 25x20, vintage gelatin silver print
Edward Steichen, “Untitled”, 1920, United States, cm 20x19, vintage gelatin silver print, provenance Joanna Taub Steichen
Anonymous, “Untitled”, 1920 ca., France, cm 8x8, vintage gelatin silver print
Consuelo Fould, “Poupées, Sur le Trapéze”, 1920 ca., France, cm 14x9, vintage gelatin silver print
Lucien Gauthier, “Tahitian beauty”, 1920 ca., Tahiti, cm 40x30, vintage gelatin silver print
Heinz von Perckhammer, “The culture of the Nude in China”, 1920 ca., Macao, cm 21x15, original photogravure on Japan paper
Heinz von Perckhammer, “The culture of the Nude in China”, 1920 ca., Macao, cm 21x15, original photogravure on Japan paper
Lucien Gauthier, “Vénus tahitienne”, 1920 ca., Tahiti, cm 22x17, vintage gelatin silver print
Lucien Waléry, “Untitled (from “Nus" Series)”, 1920 ca., France, cm 23x17, original photogravure
Anonymous, “Untitled”, 1920 ca., England, cm 14x9, vintage gelatin silver print
Eugène Atget, “La maison close, 10 rue Mazet”, 1921, France, cm 18x22, original aristotype, provenance Gérard Lévy Collection
Georges Specht, “L'Inhumaine by Marcel L'Herbier”, 1923, France, cm 23x17, vintage gelatin silver print
Arnold Genthe, “Eleonora Duse”, 1923, United States, cm 26x19, vintage gelatin silver print
Henri Manuel, “Prison de Saint Lazare”, 1925, France, cm 23x16, vintage gelatin silver print
Studio Biederer, “Untitled (The whipping)”, 1925 ca., France, cm 16x11, vintage gelatin silver print
Studio Biederer, “Untitled (The whipping)”, 1925 ca., France, cm 16x11, vintage gelatin silver print
Man Ray, “Barbette”, 1926, France, cm 25x20, original photogravure
Claude Cahun, “Autoportrait au Chat”, 1927 ca., France, cm 11x8, vintage gelatin silver print, provenance Foujita Desnos Collection
George Hoyningen-Huene, “Cecil Beaton as Elinor Glyn”, 1930, France, cm 25x20, vintage gelatin silver print
Florence Henri, “Portrait composition”, 1930, France, cm 22 x 29, gelatin silver print, ed. 8/9, provenance Archives Florence Henri
Franz Rehfeld, “Untitled”, 1930 ca., Germany, cm 14x45 cm, vintage gelatin silver print (unique sheet), provenance Gérard Lévy Collection
Franz Rehfeld, “Untitled”, 1930 ca., Germany, cm 14x45, vintage gelatin silver print (unique sheet), provenance Gérard Lévy Collection
Albert Wyndham, “Untitled”, 1930 ca., France, cm 24x18, vintage gelatin silver print, provenance Gérard Lévy Collection
Anonymous, “Untitled”, 1930 ca., France, cm 12x18, vintage gelatin silver print (double exposure)
Studio Biederer , “Untitled”, 1930 ca., France, cm 13x8, vintage gelatin silver print
George Platt Lynes, “Nude”, 1930 ca., United States, cm 15x18, original photogravure, published in Daniel Masclet's “NUS: La Beauté de la Femme", Paris 1933
Yva Richard, “Untitled”, 1930 ca., France, cm 24x18, vintage gelatin silver print
Brassaï, “Untitled (Advertisement for Diana Slip)”, 1930 ca., France, cm 9x14, vintage gelatin silver print
Anonymous, “Untitled (Study of a Hand)”, 1930 ca., France, cm 24x18, vintage gelatin silver print
Anonymous, “Entrecuisse épinglée”, 1930 ca., France, cm 14x9, vintage gelatin silver print
André Kertész, “Untitled (Advertisement for Diana Slip)”, 1930 ca., France, cm 19x13, vintage gelatin silver print
André Kertész, “Untitled (Advertisement for Diana Slip)”, 1930 ca., France, cm 19x13, vintage gelatin silver print
Studio Biederer, “Untitled (domination)”, 1930 ca., France, cm 12x17, vintage gelatin silver print
Yva Richard, “Untitled”, 1930 ca., France, cm 18x13, vintage gelatin silver print
Yva Richard, “Untitled (corset and boots)”, 1930 ca., France, cm 18x13, vintage gelatin silver print
Anonymous, “Untitled”, 1930 ca., France, cm 18x13, vintage gelatin silver print
Studio Grundworth, “Untitled”, 1930 ca., France, cm 13x18, vintage gelatin silver print
Monsieur X, “Untitled”, 1930 ca., France, cm 24x18, vintage gelatin silver print
Monsieur X, “Untitled”, 1930 ca., France, cm 24x18, vintage gelatin silver print
Monsieur X, “Untitled”, 1930 ca., France, cm 24x18, vintage gelatin silver print
Monsieur X , “Untitled”, 1930 ca., France, cm 24x18, vintage gelatin silver print
Volpè (Achille Volpe), “Grisha and Brona”, 1930 ca., United States, cm 35x27, vintage gelatin silver print
Julien Mandel, “Untitled (Nude study)”, 1930 ca., France, cm 24x18, vintage gelatin silver print
Anonymous, “Untitled”, 1930 ca., France, cm 17x11, vintage gelatin silver print
Anonymous, “Untitled”, 1930 ca., France, cm 17x11, vintage gelatin silver print
Cecil Beaton, “Mrs Beatrice Guinness”, 1930 ca., England, cm 36x51, vintage gelatin silver print, green inkwash signature on mount, provenance Paul F. Walter Collection
Dora Maar, “Untitled (nude taking off robe)”, 1931 ca., France, cm 23x8, vintage gelatin silver print, only known print
André Kertész, “Distortion #34, Paris”, 1933, France, cm 41x60, only known print in this size, mounted on hardboard for Biennale Venice and BNF Paris 1963, provenance the Estate of André Kerstész
Florence Henri, “Portrait Composition, Dorothy Weyl”, 1933, France, cm 37 x 28, gelatin silver print, ed. 7/9, provenance Archives Florence Henri
Florence Henri, “Portrait de Lore (Lore Krüger)”, 1933, France, cm 40 x 30, gelatin silver print, ed. 7/9, provenance Archives Florence Henri
Bill Brandt, “Untitled (Le baiser mysterieux)”, 1934, England, cm 25x15, rare vintage gelatin silver print, provenance Estate of Bill Brandt, only two known prints
Walker Evans, “Clay head (Benin?), from the exhibition of African Art at MoMA, New York”, 1935, United States, cm 15x10, vintage gelatin silver print, provenance Harry Lunn Collection
Pierre Boucher, “Femme-Fleur”, 1935, France, cm 23x17, reversed negative-positive and solarized vintage gelatin silver print (photomontage)
Anonymous, “Base du crâne”, 1935, France, cm 19x25, vintage gelatin silver print
Studio Biederer, “Untitled”, 1935 ca., France, cm 14x45, vintage gelatin silver print (unique sheet), provenance Gérard Lévy Collection
Anonymous, “Maîtresse au 9 rue de Navarin”, 1935 ca., France, cm 14x9, cyanotype
Erwin Blumenfeld, “Manina”, 1937, France, cm 33x27, solarized vintage gelatin silver print, provenance the Estate of Erwin Blumenfeld
Jean Moral, “Untitled (Advertisement for Diana Slip)”, 1938, France, cm 12x10, vintage gelatin silver print
Jean Moral, “Untitled (Advertisement for Diana Slip)”, 1938, France, cm 14x10, vintage gelatin silver print
John Everard, “Female Nude Study”, 1939, England, cm 28x21, original photogravure
Anonymous, “Untitled”, 1940 ca., France, cm 14x9, vintage gelatin silver print
Zorro, “Untitled (self portrait)”, 1940 ca., France, cm 13x9, original aristotype, unique piece
Zorro, “Untitled (self portrait)”, 1940 ca., France, cm 13x9, original aristotype, unique piece
Martin Munkacsi, “Fashion Study”, 1940 ca., United States, cm 28x22, gelatin silver print, fashion study taken for Life Magazine, provenance Joan Munkacsi
Anonymous, “Untitled”, 1940 ca., United States, cm 25x20, vintage gelatin silver print
Larry Karns, “Winnie Garrett”, 1940 ca., United States, cm 25x22, vintage gelatin silver print
Man Ray, “Henry Miller and Margaret Neiman”, 1942, United States, cm 25x20, vintage gelatin silver print, provenance the Estate of Carlton Lake
Anonymous, “Nuclear bomb testing (Bikini Atoll)”, 1946, Marshall Islands, cm 20x24, vintage gelatin silver print
G. R. Aldo, “Jean Marais in La Belle et la Bete by Jean Cocteau”, 1946, France, cm 25,6x21, vintage gelatin silver print, provenance Archives Maurice Bessy
Carlo Mollino, “Monumento ai caduti per la libertà”, 1946, Italy, cm 26x20, vintage gelatin silver print (photomontage), provenance Mollino Archive
Pasquale De Antonis, “Paolina Borghese vestita da Balzani”, 1947, Italy, cm 24x31, vintage gelatin silver print
Count Théodore Zichy, “Chiaroscuro #6”, 1948, England, cm 30x24, vintage gelatin silver print mounted on the original cardboard (signed on the recto), provenance Uwe Scheid Collection
Count Théodore Zichy, “Chiaroscuro #5”, 1948, England, cm 29x22, vintage gelatin silver print mounted on the original cardboard (signed on the recto), provenance Uwe Scheid Collection
Earl Moran, “Marilyn Monroe sul set di Love Happy”, 1948, United States, cm 26x21, vintage gelatin silver print
Harry Callahan, “Hot Stuff! (Eleanor nude)”, 1948, United States, cm 45x58, vintage gelatin silver print, exhibition print mounted onto thick board, provenance Wayne Miller
Homer Page, “Walking in the street...”, 1948, United States, cm 24x13, vintage gelatin silver print
Carlo Mollino, “Casa ad alloggi sul mare”, 1949, Italy, cm 27x19, vintage gelatin silver print (photomontage), provenance Mollino Archive
Lisette Model, “Woman in veil, San Francisco”, 1949, United States, cm 50x39, vintage gelatin silver print
Carlo Mollino, “Condominio a Sanremo”, 1949, Italy, cm 27x25, vintage gelatin silver print (photomontage), provenance Mollino Archive
Charles Guyette, “Corset”, 1950 ca., United States, cm 12x9, vintage gelatin silver print
Irving Klaw, “Baroness”, 1950 ca., United States, cm 11x9, vintage gelatin silver print
Bernard of Hollywood, “Lynn York”, 1950 ca., United States, cm 26x21, vintage gelatin silver print
Anonymous, “Untitled”, 1950 ca., France, cm 24x18, vintage gelatin silver print, provenance Gérard Lévy Collection
Anonymous, “Ava Gardner”, 1950 ca., United States, cm 25x20, hand-coloured vintage gelatin silver print
Anonymous, “Untitled”, 1950 ca., Belgium, cm 13x8, vintage gelatin silver print
Anonymous, “Santa Marta”, 1950 ca., Spain, cm 15x13, vintage gelatin silver print
Paul Coze, “Étude de chevelure”, 1950 ca., France, cm 20x18, vintage gelatin silver print
Daniel Frasnay, “Marionette”, 1950 ca., France, cm 50x37, vintage gelatin silver print, provenance Gerd Sander Collection
Weegee, “Woman with three breasts (from “Naked Hollywood” Series)”, 1950 ca., United States, cm 27x33, vintage gelatin silver print, provenance Harry Lunn Collection
John Everard, “Female Nude Study”, 1950 ca., England, cm 29x24, original photogravure
Elmer Batters, “Untitled”, 1950 ca., United States, cm 10x13, vintage gelatin silver print
Anonymous, “Untitled”, 1950 ca., Belgium, cm 38x28, vintage gelatin silver print
Serge de Sazo, “Untitled”, 1950 ca., France, cm 30x24, vintage gelatin silver print
Anonymous, “Untitled”, 1950 ca., United States, cm 12x9, vintage gelatin silver print
Anonymous, “Bettie Page”, 1950 ca., United States, cm 12x9, vintage gelatin silver print
Sam Menning, “Bettie Page”, 1950 ca., United States, cm 15x12, vintage gelatin silver print
Phil Stern, “Marilyn Monroe, Los Angeles”, 1953, United States, cm 76x101, archival pigment print
Ed Van Der Elsken, “Saint-Germain-des-Prés”, 1953, France, cm 29x18, vintage gelatin silver print, provenance Gerd Sander Collection
Bill Brandt, “Belgravia, London”, 1953, England, cm 62x52, vintage gelatin silver print, provenance MoMA New York
Anonymous, “Where the Rosenbergs are slated to die, Electric chair in Sing Sing Prison”, 1953, United States, 18x24, vintage gelatin silver print
Nino Migliori, “Cancellazioni”, 1954, Italy, enlargement on canvas from anonymous XIX century cliché-verre, cm 115x228, vintage unique piece, provenance artist
Thérèse Le Prat, “Claire Motte”, 1955 ca., France, cm 24x18, vintage gelatin silver print
Pasquale De Antonis, “Ivy Nicholson al Museo Etrusco”, 1956, Italy, cm 25x20, vintage gelatin silver print
Vivian Maier, “Self Portrait, Chicago Area”, 1957, United States, cm 31x31, gelatin silver print, ed. 9/15, provenance John Maloof
Anonymous, “Untitled”, 1958, United States, cm 18x24, vintage gelatin silver print
Sanne Sannes, “Untitled”, 1959, The Netherlands, cm 64x48, vintage gelatin silver print, mounted on hardboard for exhibition at Arnhem Museum in 1966, unique piece, provenance Estate of Sanne Sannes
Anonymous, “Untitled”, 1960 ca., Germany, cm 13x8, vintage gelatin silver print
Anonymous , “Untitled”, 1960 ca., France, cm 35x35, collage of vintage gelatin silver prints
Miroslav Tichý, “Untitled”, 1960 ca., Czech Republic, cm 19x13, vintage gelatin silver print, provenance Tichý Ocean Foundation
Anonymous, “Untitled”, 1960 ca., Germany, cm 13x8, vintage gelatin silver print
Walter Carone, “Brigitte Bardot in La bride sur le cou by Roger Vadim”, 1961, France, cm 18x13, vintage gelatin silver print, provenance Archives Maurice Bessy
Georges Hugnet, “L'un des sens de l'indècence”, 1961, France, cm 35x30, vintage mixed media (collage), unique piece
Lisetta Carmi, “Lo spagnolo, Lola Montez (from “I travestiti” Series)”, 1965 ca., Italy, cm 60x50, digital C-print, ed. 1/6
Lisetta Carmi, “Dalida”, 1965 ca., Italy, cm 40x30, gelatin silver print
Tazio Secchiaroli, “Sophia Loren fotografata da Richard Avedon a Roma”, 1966, Italy, cm 40x28, vintage gelatin silver print
Anonymous, “Untitled (Striptease)”, 1966, France, cm 30x24, vintage gelatin silver print
Siegfried Lauterwasser, “From Fliegende Höllander (Bayreuther Festival)”, 1966, Germany, cm 18x24, vintage gelatin silver print
Angelo Novi, “Silvana Mangano in “Teorema" by Pier Paolo Pasolini”, 1967, Italy, cm 13x18, vintage gelatin silver print
Zorro, “Untitled (still life)”, 1968, France, cm 12x9, vintage C-print, unique piece
Zorro, “Untitled (still life)”, 1968, France, cm 12x9, vintage C-print, unique piece
Masahisa Fukase, “Yugi”, 1968, Japan, cm 31x26, vintage gelatin silver print, provenance the Masahisa Fukase Archives
Pierre Molinier, “Le chaman”, 1968, France, cm 17x12, vintage gelatin silver print, (photomontage), unique piece, provenance Comité Pierre Molinier
Pierre Molinier, “Le triomphe des tribades ou sur le pavois”, 1968, France, cm 21x15, vintage gelatin silver print (photomontage), provenance Comité Pierre Molinier
Pierre Molinier, “Pierre et Hanel. Comment je voudrais être”, 1969, France, cm 25x50 ca., triptych, vintage gelatin silver print (photomontage), unique piece, provenance Comité Pierre Molinier
Ugo Mulas, “Gioiello di Pietro Consagra indossato da Benedetta Barzini”, 1969, Italy, cm 60x50, vintage gelatin silver print, provenance Archivio Ugo Mulas
Ugo Mulas, “Gioiello di Arnaldo Pomodoro”, 1970, Italy, cm 40x30, solarized vintage gelatin silver print, provenance Archivio Ugo Mulas
Irina Ionesco, “Modella con piume”, 1970, France, cm 39x27, vintage gelatin silver print
Jerzy Strzelecki, “Untitled”, 1970, Poland, cm 36x28, vintage gelatin silver print
Friedl Kubelka, “Pin-up”, 1971, Austria, cm 16x12, vintage gelatin silver print, provenance artist
Luigi Ghirri, “Marion Mendez”, 1972, Italy, cm 18x12, vintage C-print, provenance Fabio Castelli Collection
Anonymous, “Total solar eclipse”, 1973, France, cm 25x20, vintage gelatin silver print
Jean-Pierre Fizet, “Jane Birkin in Comment réussir dans la vie quand on est con et pleurnichard by Michel Audiard”, 1974, France, cm 30x23, vintage gelatin silver print
Urs Luethi, “Just another story about leaving”, 1974, Switzerland, cm 65x153, diptych, photographic emulsion on canvas, vintage unique piece, provenance artist
Jean Gaumy, “Romy Schneider in “L'important c'est d'aimer" by Andrzej Żuławski”, 1975, France, cm 24x18, vintage gelatin silver print
Franco Fontana, “Urban landscape, Los Angeles”, 1979, United States, cm 40x29, vintage C-print
Bill Cunningham, “Grace Jones”, 1979, United States, cm 25x20, vintage gelatin silver print on RC paper, unique piece, provenance the Bill Cunningham Foundation
Robert Mapplethorpe, “Man in polyester suit”, 1980, United States, cm 51x41, gelatin silver print, ed. 3/15, provenance the Estate of Robert Mapplethorpe
Irina Ionesco, “The Panther Mask”, 1981, France, cm 46x31, vintage gelatin silver print
Occhiomagico, “La camera chiara di Narciso”, 1981, Italy, cm 30x40, vintage cibachrome print
Helmut Newton, “Masked nude by the sea, Montecarlo”, 1981, Monaco, cm 40x36, vintage gelatin silver print
Cindy Sherman, “Untitled #127/A”, 1983, United States, cm 83x54, cibachrome print, ed. 5/18, provenance Metro Pictures
Brian Griffin, “Siouxsie”, 1984, England, cm 50x41, vintage gelatin silver print, unique piece, provenance artist
Lord Snowdon, “Fashion studies”, 1986, France, cm 50x39, contact sheet with 12 pictures, vintage gelatin silver print, taken for Vogue France n. 664 (March 1986)
Nino Migliori, “Senza titolo, New York”, 1986, United States, cm 101x99, vintage C-print, provenance Fabio Castelli Collection
David Bailey, “Angie Hill and Catherine Bailey Kissing”, 1986, England, cm 48x46, gelatin silver print, ed. 1/5
Piero Gemelli, “Untitled”, 1987, Italy, cm 40x30, vintage gelatin silver print on baryta paper, unique piece, provenance artist
Bettina Rheims, “Bénédicte, London (from “Modern Lovers" Series)”, 1989, England, cm 100x80, gelatin silver print, ed. 1/3, provenance Harry Lunn Collection
Sergei Vasiliev, “Russian criminal tattoo Encyclopaedia”, 1989, Russia, cm 40x27, vintage gelatin silver print
Sergei Vasiliev, “Russian criminal tattoo Encyclopaedia”, 1989, Russia, cm 40x27, vintage gelatin silver print
Tracey Moffatt, “Something more n. 1”, 1989, Australia, cm 105x150, cibachrome print, A.P., provenance Fabio Castelli Collection
Herb Ritts, “Madonna II”, 1990, United States, cm 49x26, gelatin silver print, ed. 23/25
Gabriele Basilico, “Roma, 1990”, 1990, Italy, cm 80x160, gelatin silver print, ed. 1/15, provenance artist
Joel Peter Witkin, “Man with dog”, 1990, United States, cm 86x69, gelatin silver print, ed. 15/15
Piero Gemelli, “Eye”, 1991, Italy, cm 21x27, Polaroid, unique piece, provenance artist
Alfa Castaldi, “Entomologia, Mugler Vogue D.P.”, 1991, Italy, cm 59x49, inkjet pigmented print, unique piece
Nan Goldin, “Kim in Rhinestones, Paris”, 1991, France, cm 102x70, cibachrome print, A.P. #2, provenance artist
Thomas Struth, “Dunkler violetter rittersporn n.7”, 1992, Switzerland, cm 58x46, cibachrome print, ed. 8/10
Paolo Mussat Sartor, “Gambe”, 1992, Italy, cm 60x50, coloured pigments on silver bromide print, unique piece
Giovanni Gastel, “Untitled (Shalom)”, 1992, Italy, cm 80x60, hand painted giclèe print, unique piece, provenance artist
Sandy Skoglund, “Body limits”, 1992, United States, cm 91x72, cibachrome print, ed. 16/20
Joel Peter Witkin, “Glassman”, 1994, United States, cm 80x64, gelatin silver print, ed. 12/12
Nobuyoshi Araki, “Untitled/ Novel”, 1994, Japan, cm 42x52, vintage gelatin silver print
Gian Paolo Barbieri, “Alla fabbrica del Sisal”, 1994, Madagascar, cm 50x40, gelatin silver print, ed. 1/10
Kiki Smith, “Untitled (Upside down body with beads)”, 1995, United States, cm 51x61, C-print, ed. 3/3
David LaChapelle, “Shoe story”, 1995, United States, cm 60x40, C-print, ed. 7/30
Michel Comte, “Carla Bruni”, 1996, Italy, cm 68x68, cibachrome print, ed. 5/20
Yasumasa Morimura, “Self-Portrait: (Actress) after Vivien Leigh 2”, 1996, Japan, cm 128x99, C-print, ed. 2/10
Inez Van Lamsweerde, “Jade”, 1996, The Netherlands, cm 85x65, C-Print, ed. 10/10
Andres Serrano, “A History of sex (Head)”, 1996, United States, cm 102x83, cibachrome print, ed. 7/7
Brigitte Niedermair, “Senza titolo”, 1997, Italy, cm 80x80, digital C-print, ed. 1/3
Gian Paolo Barbieri, “Jerry Hall”, 1997, England, cm 58x48, gelatin silver print, ed. 1/10
Vanessa Beecroft, “VB29, Performance 1997”, 1997, France, cm 40x60, vibracolor print, ed. 1/3, provenance artist
Marco Breuer, “Untitled (Tomorrow Never Comes-Eye)”, 1997, United States, cm 11x9, collage of three vintage gelatin silver prints, unique piece, provenance W. M. Hunt Collection
Matthew Barney, “Cremaster #5”, 1997, United States, cm 84x58, mixed media (photolithograph, screenprint, hot stamp, and embossing)
Micha Klein, “Break of dawn”, 1998, The Netherlands, cm 150x80, C-print, ed. 5/5
Ousmane Ndiaye Dago, “Femme terre”, 1998, Senegal, cm 77x51, cibachrome print, ed. 2/3
Carlo Mari, “Woman”, 1998, Italy, cm 103x123, gelatin silver print, unique piece in this size
Luis González Palma, “El hombre triste”, 1998, Argentina, cm 100x149, mixed media (hand painted gelatin silver print and golden leaf), unique piece
David Levinthal, “XXX #99”, 1999, United States, cm 61x51, Polaroid, ed. 5/5
Regina José Galindo, “El dolor en un pañuelo”, 1999, Guatemala, cm 150x100, digital C-print on forex, ed. 5/5
Dominique Bollinger, “Succulente”, 2000, Italy-France, cm 12x10, platinum-palladium print, ed. 4/25
Patrick Tosani, “Masque n. 16”, 2000, France, cm 111x141, cibachrome print, ed. 5/5
Michael Ackerman, “Marseille”, 2000, France, cm 50x40, gelatin silver print, ed. 1/15, provenance artist
Kiki Smith, “Untitled (Geneviève and the May Wolf)”, 2000, United States, cm 51x41, C-print, ed. 3/3
Erwin Olaf, “Lady D 1997 Royal Blood”, 2000, The Netherlands, cm 75x75, C-print, A.P. #2
Michael Ackerman, “Paris”, 2000, France, cm 52x77, gelatin silver print, ed. 3/15, provenance artist
Daniele Buetti, “Could I be unreceptive to external forms? (Nadja Auermann)”, 2000, Switzerland, cm 90x68x10, lightbox
Paolo Mussat Sartor, “Figura”, 2003, Italy, cm 60x50, coloured pigments on silver bromide print, unique piece
Paolo Ventura, “War Souvenir#28”, 2005, Italy, cm 100x77, inkjet pigmented print, ed. 3/10, provenance artist
Todd Hido, “#3878”, 2005, United States, cm 61x51, inkjet pigmented print, ed. 7/10
Vik Muniz, “Otahi (Alone), after Paul Gauguin”, 2006, United States, cm 102x157, digital C-print, A.P. #2/4
Albert Watson, “Steve Jobs, Cupertino, California”, 2006, United States, cm 142x107, archival pigment print, ed. 2/10
Nobuyoshi Araki, “Untitled”, 2007, Japan, cm 61x101, diptych, hand painted gelatin silver print, unique piece
Boo Ritson, “Cindy Rae”, 2007, England, cm 114x84, giclèe print, A.P. #1
Sarah Jones, “Analyst (Couch) (I)”, 2007, England, cm 122x122, C-print, ed. 5/5
Erwin Olaf, “Grief series – Irene Portrait”, 2007, The Netherlands, cm 133x100, digital C-print, ed. 10/10
T. J. Wilcox, “Casati's masque”, 2008, United States, cm 91x61, mixed media (archival printed acetate, colored light gel, golden leaf on plexiglass), unique piece
Giovanni Gastel, “Untitled, Roma”, 2008, Italy, cm 106x146, giclèe print, ed. 3/5, provenance artist
Roger Ballen, “Stare”, 2008, South Africa, cm 80x80, archival pigment print, ed. 3/6
Gian Paolo Barbieri, “Audrey Hepburn per Vogue Italia, Elaborazione cinetica”, 2009, Italy, cm 50x40, digital C-print, A.P.
Franco Fontana, “Vitanova, Genova, Staglieno”, 2010, Italy, cm 100x70, gelatin silver print, ed. 1/5
Michael Loos, “Parco Sempione 4”, 2010, Italy, cm 80x55, digital C-print, ed. 1/10
Roberto Kusterle, “Panope”, 2011, Italy, cm 130x90, inkjet pigmented print, ed. 4/5
Andres Serrano, “La chinoise Madonna”, 2011, United States, cm 102x83, cibachrome print, ed. 1/7
Vik Muniz, “The sower, after Van Gogh”, 2011, France, cm 134x102, digital C-print, ed. 8/10
Candido Baldacchino, “L'ultimo viaggio”, 2011, Italy, cm 60x60, inkjet pigmented print, ed. 3/10
Jacob Aue Sobol, “Twins”, 2012, Russia, cm 96x69, gelatin silver print, ed. 1/3
Roger Ballen, “Waif”, 2012, South Africa, cm 61x43, archival pigment print, ed. 3/6
Noé Sendas, “Peep 13”, 2012, Germany, cm 24x18, inkjet pigmented print, ed. 1/3
Lamberto Teotino, “L'ultimo Dio”, 2012, Italy, cm 71x56, inkjet pigmented print, ed. 1/3
Jacob Aue Sobol, “Boys playing basket”, 2012, Mongolia, cm 65x96, gelatin silver print, ed. 2/3
Stefania Romano, “La Vaniteuse”, 2013, France, cm 60x40, gelatin silver print, ed. 3/7
Christian Zanotto, “Kronomads #1”, 2013, Italy, cm 42x30, photo transfer on crystal, ed. 1/3
Ellen Von Unwerth, “Revenge”, 2014, France, cm 103x76, gelatin silver print, ed. 2/7
Sarah Jones, “Cabinet (XII) (Ouroboros)”, 2014, England, cm 60x48, C-print, ed. 1/5
Giovanni Gastel, “Untitled (Chantelle Winnie per Glamour)”, 2015, Italy, cm 100x75, giclèe print, ed. 1/3, provenance artist
Yael Bartana, “Stalag – The Photographer (II)”, 2015, Germany, cm 60x40, C-print, ed. 5/5
Andreas Theologitis, “Intimate cities, Manhattan view”, 2016, Greece-United States, cm 120x80, giclèe print, ed. 1/3
Santiago Sierra, “The Trough”, 2016, Italy-India, cm 100x180, digital C-print, unique piece
Phil Van Duynen, “Back-up”, 2016, Belgium, cm 110x110, chromaluxe print, ed. 1/3
Martijn Doolaard, “Le jeune homme perdu”, 2016, The Netherlands, cm 70x55, archival pigment print, ed. 3/8
Monica Biancardi, “RiMembra Giovane di Mozia, V sec a.C. - Autoritratto di A. Boetti XX sec. d.C.”, 2016, Italy-United States, cm 100x135, inkjet pigmented print, ed. 1/3
Julia Fullerton-Batten, “Munroe, Transexual”, 2016, England, cm 102x76, digital C-print, ed. 1/10
Sharon Formichella Parisi, “Selfportrait”, 2017, Italy, cm 30x40, gelatin silver print, ed. 1/3
Gillian Wearing, “Cahun and Wearing”, 2017, England, cm 52x43, bromide print, ed. 1/6
Daido Moriyama, “Gold Tights”, 2017, Japan, cm 120x120, silkscreen on canvas, unique piece, provenance Daido Moriyama Photo Foundation
Sofia Uslenghi, “Homesick #6”, 2017, Italy, cm 60x45, fine art inkjet pigmented print, A.P. #1, unique piece in this size, provenance artist
Agata Wieczorek, “Disguised portrait I (from Fetish of the Image Series)”, 2019, Poland, cm 100x70, archival inkjet print on baryta mono paper, unique piece in this size, provenance artist
Agata Wieczorek, “Self (from Second Skin Series)”, 2019, Poland, cm 100x70, archival inkjet print on baryta mono paper, unique piece in this size, provenance artist
Paolo Ventura, “The painter’s story #04”, 2019, Italy, cm 100x77, mixed media (photographic print and acrylic painting), unique piece, provenance artist
Gillian Wearing, “Me as Eva Hesse”, 2019, England, cm 152x115, C-print, ed. 2/6
Paolo Ciregia, “Mussolini (from 40 Dictators Series)”, 2019, Italy, cm 170x120, inkjet pigmented print, ed. 1/5